The feedback we received from after the production stage was largely positive. The best piece of feedback we received was about the contributors as they were described as being warm, engaging passionate and to quote ‘documentary gold.’ The framing of each interview was highlighted as being a strong part of the filming, however one particular interview was slightly disrupted by overexposed objects in the background that did distract the eye. Overall sound was commented on as being excellent; really crisp and clear, which is important as that is one of the key parts of the documentary. Our cutaway footage was great and so we were ready to begin the post-production stage. For the post-production stage, we were advised to start the process of storyboarding, creating an assembly and transcribing the interviews. Members of the group have taken an interview each and are beginning to write them up, highlighting or note taking the most important parts. These will later be condensed down into a cohesive and structured story. Additionally an assembly of the film will be made with key parts of the interview put into place so that we can begin to decide which cutaways can be paired with parts of each interview.
Monday, 22 February 2016
Sunday, 21 February 2016
Sunday, 14 February 2016
Shot List
Shot list
LP Record Store
|
Type of shot
|
Description
|
Location
|
|
Wide shot
|
Establishing shot from across the road of the store
|
External
|
|
Wide shot
|
Another establishing shot of the store from the pavement
|
External
|
|
Wide shot
|
From back of store where the counter is, showing the whole
room
|
Internal
|
|
Wide shot
|
From back of store where the stairs are, showing the whole
room
|
Internal
|
|
Medium close up
|
Looking at a row of vinyl’s on the shelves
|
Internal
|
|
Medium close up
|
Looking at another row of vinyl’s on the shelves
|
Internal
|
|
Close up
|
Looking at a specific set of vinyl’s on a rack
|
Internal
|
|
Tracking shot
|
Following customer who picks out a vinyl from the shelves
|
Internal
|
|
Mid shot
|
Customers coming in and out of the door
|
Internal
|
|
Interview
|
Interviewee (Manager) sat behind till, using natural
lighting. No boom pole
|
Internal
|
|
Medium closeup handheld
|
Interviewee putting a vinyl on to the turntable
|
Internal
|
Record Junkee
|
Type of shot
|
Description
|
Location
|
|
Wide shot
|
Establishing shot from across the road of the store
|
External
|
|
Wide shot
|
From the stair case showing the room
|
Internal
|
|
Wide shot
|
Opposite shot facing the stair case which shows the whole
room
|
Internal
|
|
Medium close up
|
Looking at a row of vinyl’s on the shelves
|
Internal
|
|
Medium close up
|
Looking at another row of vinyl’s on the shelves
|
Internal
|
|
Tracking shot
|
Using a slider going up one of the aisles of vinyls
|
Internal
|
|
Close up
|
Looking at a specific set of vinyl’s on a rack
|
Internal
|
|
Aerial
|
Looking down on to the room from a very high tripod
position
|
Internal
|
|
Mid shot
|
Customers coming up the stairs
|
Internal
|
|
Mid shot
|
Casting up the stairs with all the posters
|
|
|
Interview
|
Interviewee (Manager) sat behind till, using natural
lighting, no boom pole.
|
Internal
|
|
Medium closeup handheld
|
Interviewee putting a vinyl on to the turntable
|
Internal
|
|
Closeup
|
Of tshirts hanging up
|
Internal
|
|
Closeup
|
Posters and albums on the walls
|
Internal
|
|
Medium shot
|
From ground position on the floor, looking down an aisles
|
Internal
|
Vinyl Demand Record
Shop
|
Type of shot
|
Description
|
Location
|
|
Wide shot
|
From the stair case showing the room
|
Internal
|
|
Wide shot
|
From till, looking down the shop
|
Internal
|
|
Medium close up
|
Looking at the row of vinyl’s on the shelves
|
Internal
|
|
Medium close up
|
Opposite end looking down the rack
|
Internal
|
|
Tracking shot
|
Using a slider going up one of the aisles of vinyls
|
Internal
|
|
Close up
|
Looking at a specific vinyl cover
|
Internal
|
|
Mid shot tracking
|
Using a slider we will go down the room, facing the vinyls
|
Internal
|
|
Interview
|
Interviewee (Manager) sat behind till, using natural
lighting, no boom pole.
|
Internal
|
|
Medium closeup handheld
|
Interviewee putting a vinyl on to the turntable
|
Internal
|
|
Close up
|
Record player closeup
|
Internal
|
Josh’s flat
|
Type of shot
|
Description
|
Location
|
|
Interview
|
Try and bring lighting kit as possibly dark in flat, but
may not be enough room. Interviewer sat infront of vinyl collection
|
Internal
|
|
Medium shot
|
Looking across vinyl collection
|
Internal
|
|
Aerial
|
Looking down as a vinyl is playing on turntable
|
Internal
|
|
Close up
|
Of his favorite album
|
Internal
|
|
Tracking shot using slider
|
Looking down his collection
|
Internal
|
Older collector
|
Type of shot
|
Description
|
Location
|
|
Interview
|
If room big enough try and use lighting kit. Boom pole may
not be possible. Collector sat behind collection
|
Internal
|
|
Medium shot
|
Looking across vinyl collection
|
Internal
|
|
Close up
|
Of his favorite album
|
Internal
|
|
Tracking shot using slider
|
Looking down his collection
|
Internal
|
Saturday, 13 February 2016
Interview Questions
General Interview Questions
Can you tell us
your name?
How old are you?
What is your
profession/what do you do?
How long have you
been working/running your record store?
What made you
want to run a store?
Are you a
personal collector of Vinyl and, if so, for how long?
What was the
first Vinyl you bought and why?
Do you have a
favourite record either; a single or LP?
Can you explain
what qualities you think Vinyl has over other formats like Compact Disc or MP3?
Do you think
those qualities have helped in Vinyl’s resurgence since the mid 2000’s?
Can you tell us
why you think Vinyl is so successful even in the face of digital technology and
streaming services?
Have sales of
Vinyl been on a steady increase for you in the wake of the recent revival?
In your opinion,
do you think that Vinyl is on course to make an even bigger rise in commercial
success this year and in following years to come?
Today, Vinyl is
often associated with a Hipster trend; people who like to collect Vinyl as part
of an art collection rather than a music collection. What’s your opinion on
this?Would you say
this rise is attributed to new waves of generations ‘discovering vinyl’ for the
first time?
Have you noticed
a shift in the age demographic for buyers of Vinyl?
Do you attribute
part of the success to Vinyl’s recent sales to a younger generation?
Why is Vinyl such
a popular icon in culture today?
Have you heard of
an online subscription service called Flying Vinyl?
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